I don’t regularly write negative posts because normally the things I get the most excited and passionate about are the things that I enjoy, but in Fall 2016 there was an anime that I was deeply disappointed with, and ever since the finale the world has seemed intent on not letting me forget about it. Even now it continues to pop up in my social media, forcing me to think about it more than I normally would and develop lot of clear negative opinions on it. They’ve culminated to the point where I have them all sorted out in my mind and written out in analytical format. Hopefully by the time you’re reading this you’ve already finished Izetta: The Last Witch, because if you haven’t, be prepared to have the entire show spoiled for you. However, I’m going to avoid discussing any major plot points for any of the shows I’ll be referencing for the sake of contrast and comparison.
Note: I know a lot of people enjoyed this show, and I by no means expect everyone to agree with my opinions on it. If you enjoyed it, all I ask is that you consider it from the opposing point of view. And by all means, please share your opinions in the comments, especially if your views are in opposition to my own. I often find I learn the most from the people who disagree with me.
I can’t confidently say that all the facets of Izetta are poorly comprised. It’s never a particularly strong series, but it’s no throw-away show, either. For starters, I thoroughly enjoyed the first and last episodes. The first is set up quite nicely; it introduces its characters, hints at its story, delves into its concepts, briefly depicts real world politics and war, and shows off some competent and vibrant animation. The last episode was enjoyable not only because I was happy for it to finally be over, but also because it was genuinely fun to watch. Some scenes carry real emotional value and others relish in mindless self indulgence, making it an enjoyable viewing experience. Secondly, I’ve been enjoying this recent trend of anime with LGBT+ themes and protagonists that don’t fall into the typical yuri/yaoi genres, so I’m thankful that Izetta is counted among them. Finally, while I have a difficult time calling any of the characters “strong”, in the way that I define character strength, Izetta and Fine are enjoyable to watch because they have clear motivations, personal beliefs and struggles, and good chemistry to boot.
All that being said, those are the only parts of the show that I genuinely enjoyed. If you’ll have me, let’s dig into why. I’ll like to start by dissecting the surface aspects of the show, and we’ll continue to go deeper into it and in more detail as we progress until we reach the core and source of Izetta’s failures.
With today’s anime industry cranking out more shows per season than ever before, many of which instantly forgettable due to lazy writing, sub par production and generic characters and stories, the fan community is quick to jump at any show that differentiates itself from the norm, praising these rule breakers for being inventive, creative, subversive and even deconstructive in their methods of storytelling. In late 2015, the show was One Punch Man. In Winter 2016, it was Konosuba and Shouwa Genroku Rakugo Shinjuu. More recently in Fall 2016, it was Flip Flappers. This season, it looks like it’s Kuzo No Honkai. However, while many fans consider shows like these to be fresh and inventive, there are an equal amount of people ready to jump on them from the opposing point of view, accusing them of being pretentious or pointless. Often, the most hotly debated shows within the community are the ones that are doing things differently, for better or worse.
In the Fall 2016 anime season, no show was more divisive than Occultic;Nine. As a member of the Science Adventure series originally written by Chiyomaru Shikura, the creator of Steins;Gate, it attracted a lot of high expectations prior to its airing. However, after the first episode aired the general reaction seemed to be, more or less, confusion. Structurally speaking, Occultic;Nine is the opposite of Steins;Gate in almost every way. It’s extremely fast paced, its characters are all fairly stereotypical and don’t develop very much throughout the course of the show, and the dialogue is constantly exaggerated, almost to the point of being ridiculous. Most viewers walked away from the first episode with mixed feelings, some dropping it right away and moving on, criticizing it for being pretentious or simply bad.
Hey everyone! Here’s a quick update on what I’ve been working on this past week.
The Winter 2017 anime season is well under way, but I still haven’t gotten over all the shows from last Fall. Presently, I’m working on four posts: three are anime analysis (two from last season and one older show), and one is a topical analysis (on a show from last season). I’ve been working on these for a little while and am having fun refining and polishing them for the world to read.
Additionally, I already have a couple ideas for posts on shows from the current season, so I’m excited to wrap up the projects I’m working on right now so I can focus on formulating my thoughts on more current series (although I doubt I’ll be moving on from Fall 2016 completely, as there’s a lot of good stuff from last season that I still want to explore and discuss).
There’s also a couple ideas floating around in my head about a couple live action shows I’ve been watching lately. I’m not sure if anything will come of them any time soon, but the thoughts are there, and I’m starting to get a clearer vision for a couple of them (stay tuned!).
Finally, I’m working on transforming my blog posts into video essays. It’s a lot of hard, tedious work, but I’m feeling really optimistic about it and can’t wait to release my projects. Hopefully it’s something I’ll be able to continue to do in the future (it’s a hell of a lot of fun, just time consuming).
That’s it for this past week! As always, thanks for reading! I’m excited to get back to releasing new content.