Akko, Yoshinari, and the Journey of the Young Creator

Anyone who has ever tried to create something artistic knows that doing so is as far removed from simple and painless as any task can be and is every bit as exhausting as it is time consuming. Newer and younger creators who have only recently chosen to dedicate their time and mental energy to crafting a creative identity for themselves are intimately familiar with the struggles all artists face on a daily basis, only in their cases those difficulties are amplified by their inexperience and lack of knowledge in their respective fields. In addition to the initial challenge of learning the basics of their crafts, through time and experience they must also discover for themselves what it means to be a creative person and how that identity fits into their everyday lives. Creating artistic content requires extensive thought, planning, introspection, hard work and brutal self analysis that often leaves the creator feeling overwhelmed and discouraged with the task they’ve taken on. Those who persevere through this initial learning curve find the self satisfaction of having done so to be more than worth their while, but during that period all potential rewards for the young creator’s tireless efforts seem despairingly small.

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Why I Didn’t Like Izetta: An Cynical, Analytical Dissection

I don’t regularly write negative posts because normally the things I get the most excited and passionate about are the things that I enjoy, but in Fall 2016 there was an anime that I was deeply disappointed with, and ever since the finale the world has seemed intent on not letting me forget about it. Even now it continues to pop up in my social media, forcing me to think about it more than I normally would and develop lot of clear negative opinions on it. They’ve culminated to the point where I have them all sorted out in my mind and written out in analytical format. Hopefully by the time you’re reading this you’ve already finished Izetta: The Last Witch, because if you haven’t, be prepared to have the entire show spoiled for you. However, I’m going to avoid discussing any major plot points for any of the shows I’ll be referencing for the sake of contrast and comparison.

Note: I know a lot of people enjoyed this show, and I by no means expect everyone to agree with my opinions on it. If you enjoyed it, all I ask is that you consider it from the opposing point of view. And by all means, please share your opinions in the comments, especially if your views are in opposition to my own. I often find I learn the most from the people who disagree with me.

I can’t confidently say that all the facets of Izetta are poorly comprised. It’s never a particularly strong series, but it’s no throw-away show, either. For starters, I thoroughly enjoyed the first and last episodes. The first is set up quite nicely; it introduces its characters, hints at its story, delves into its concepts, briefly depicts real world politics and war, and shows off some competent and vibrant animation. The last episode was enjoyable not only because I was happy for it to finally be over, but also because it was genuinely fun to watch. Some scenes carry real emotional value and others relish in mindless self indulgence, making it an enjoyable viewing experience. Secondly, I’ve been enjoying this recent trend of anime with LGBT+ themes and protagonists that don’t fall into the typical yuri/yaoi genres, so I’m thankful that Izetta is counted among them. Finally, while I have a difficult time calling any of the characters “strong”, in the way that I define character strength, Izetta and Fine are enjoyable to watch because they have clear motivations, personal beliefs and struggles, and good chemistry to boot.

All that being said, those are the only parts of the show that I genuinely enjoyed. If you’ll have me, let’s dig into why. I’ll like to start by dissecting the surface aspects of the show, and we’ll continue to go deeper into it and in more detail as we progress until we reach the core and source of Izetta’s failures.

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